Please indicate which show you are submitting to in the title of your piece.

READ FIRST:

Submit here for SSWA's monthly VAMP (Visual / Audio Monologue Performance) Showcase only. Please include a brief bio and your e-mail in the comments section when submitting. VAMPs are usually, unless otherwise noted, held on the last Thursday of the month.

Our list of all VAMP shows, themes, and submission deadlines can be found here.

Work should fall between 5-10 minutes in length. Between 140-160 words per minute is an average guide. Style, voice, and literary form can vary widely, but we're looking for true, non-fiction stories that involve a transformation (of you, a character, a place, etc.) and offer an insight that we can relate to.

Please be aware that there is a rehearsal and critique process for all accepted VAMP submissions. Rehearsals & crits are MANDATORY. If your piece is accepted and you can't make the first scheduled rehearsal, please let us know right away. All reasonable accommodations will me made. We want you to give the best performance possible when we put you on stage.

All scripts are read and voted on by a blind peer review panel comprised of individuals who have performed at previous VAMP Showcases, to ensure bias or nepotism does not affect the selection process. Therefore, please DO NOT PUT YOUR NAME ON YOUR SCRIPT.

Thanks, good luck, and please don't be disheartened if you aren't selected. I founded this organization and I've been rejected multiple times myself. A rejection is not a statement on the quality of your writing, there are dozens of factors at play when putting a show together, and we want it to always be a reflection of our community and the people who comprise it.

Best,

- Justin Hudnall




So Say We All’s Veteran Writers Division is accepting submissions for its next Incoming anthology, tentatively titled: “Sex, Drugs, and Copenhagen.” We were originally going to call it "Sex Drugs, and Coping Mechanisms" but couldn't help paying homage to the great and horrible chaw that has kept so many service members awake on watch through the night.

We’re looking for non-fiction stories related to coping mechanisms, affairs, violating protocol in the name of escapism, mental health vacations, shore leave / R&R adventures, emergency sex, adopting a base cat, or other extreme actions taken to alleviate boredom and preserve sanity during one’s service or the period that followed during reintegration to the civilian world. We’re interested in any interpretation you might take on the theme, so feel free to surprise us.

We hope in choosing this topic that we’re able to offer veteran writers a chance to consider their service through humor, absurdism, and surrealism if they find it appropriate (though all takes on the theme are welcome), and provide our readers insights into the lesser-talked about  inglorious aspects of service: the tricks and tales of what people have to do to endure boredom, loneliness, heartbreak, trauma, and other human traits that undermine the all-consuming need to remain "effective". Active duty writers concerned about negatively affecting their careers are welcome to submit under a pen name. We get it.

Veterans of all branches and generations, active duty service members, military family members, and interpreters are welcome to submit non-fiction works up to 7,000 words in length or less. Previously published work is welcome as long as you indicate in your cover letter where the work received its first publication. Simultaneous submissions are encouraged. Contributors will receive a contributor copy by mail.

You can learn more about our previous volume, Returning Home, read reviews, and hear stories from previous contributors at www.incomingradio.org".

We look forward to reading your work!

- So Say We All

Call for submissions for Southeast Stories:

Do you have roots in Southeast San Diego?

Do you know the trails of Chollas Lake?

Do you have vivid memories of waiting in line for rolled tacos at the Barrell or bbq from Huffman’s?

If so, we want to hear from you!

So Say We All has been endeavoring to record the stories that define San Diego’s most significant neighborhoods, and now our project travels to Southeast San Diego in search of the voices that reside, work, play, and have roots there.

We welcome stories that document, share, and reflect the neighborhood through the following mediums: photo, artwork, spoken word, oral storytelling and interviews (which will be digitally recorded), poetry, essays, and nonfiction prose.  When submitting a written piece, please do your best to honor our maximum 5,000-word count.

We want stories that take place in or strive to reflect an aspect of Southeast San Diego however you choose to interpret that. Any subject matter or approach is welcome, as long as it features the neighborhood, and as long as it is yours.

You needn’t justify your roots or story with credentials or talent; the richness of your full experience is more than enough. In fact, it is EVERYTHING and just what we are looking for.  

If you’re wondering about the geographic boundaries, here’s a handy map detailing the neighborhoods and communities that define Southeastern SD. We are the first to acknowledge that rigid borders does not a community/experience make. If you feel as though your story works within a different notion of what Southeast is or challenges the borders on the map, you and your story are still welcome, always, all ways.

All accepted written and submissions (poetry, essays, non-fiction) will:

  1. Receive edits and one-on-one coaching from our professional teaching artists

  2. Have their work published through the project in a volume that will be distributed through community partners

  3. Be invited to perform/share their piece at an upcoming performance series in the Fall of 2017

  4. Be given open access to attend Master Class writing workshops with visiting teaching artists.

  5. Receive a copy of the finished book.

Artwork and photography is eligible to appear in the published volume and online digital platforms for the project. Additionally, So Say We All’s primary focus is to amplify stories with dignity, integrity, and inclusivity and we partner with media outlets that believe in that mission. Each contributor / story has the possibility of being interviewed/broadcast on radio and podcast through our partnership with KPBS.

Thank you for lending your voices to tell the story of Southeast San Diego.

Ends on August 31, 2017

Black Candies is a journal of literary horror and darkness. In these dark corners, we have infinite room to grow, and to innovate. We’re allowed to push boundaries and set precedents. We revel in the daring. We aim to scare. Scary can be good. Scary can cause change.

This year, our theme is The Eighties. Whether you lived through it, or fetishize it, there’s no denying its continued effect.

blackcandies80s

Horror and the ‘80s go hand in hand. Movie fans can point to it as the decade where franchises like Nightmare on Elm Street, Halloween, Hellraiser and Friday the 13th turned monsters into celebrities. It’s a decade that gave birth to the VHS, which allowed us to mainline horror right into our living rooms. The format also enabled a generation of crude, disgusting, and often brilliant filmmakers whose access to the expansive market gave them free reign to coat their screens with blood.

But art wasn’t the only thing that became horrific. Both consumerism and nationalism surged. Hate and bigotry blinded us to an epidemic that ravaged the country, while those in power laughed about it. We were ruled by an idiot entertainer. Any of this sound familiar?

What we’re looking for: We’re looking for stories that are set in, pay homage to, or reference the ‘80s in a major way. No smartphones, no Internet. Analog technology. Drugs. Yuppies. Wealth. Social commentary. It’s pretty open to interpretation, really. Think Stranger Things. Think nostalgia. Think Scary Stories to Tell in the Dark.

What we’re not looking for: Even though splatter films ruled the era, that’s not what we want. Black Candies attempts to publish the best in literary horror. We want to be scared, shaken and disturbed by your story, but at the same time, we want to fall in love with your prose. We want it to be smart. Gore and blood is fine as long as your story doesn’t obsess over it.

No word limit, but 2,000-6,000 is ideal.

Submission deadline: August 31st, 2017